To support our Expression of Interest, here are a selection of projects that mirror the specific challenges and ambitions of the RWA. These case studies demonstrate our expertise in clarifying comprehensive brand architectures and creating functional toolkits that go beyond the logo.
From unifying the complex departmental needs of the Natural History Museum to creating inclusive, digital-first systems for the Young V&A, our work is defined by strategic rigour and operational clarity. We don’t just deliver a visual style; we provide the logic, templates, and guidance that allow organisations to create high-quality, cohesive content with confidence and ease.
Natural History Museum
Helping the Natural History Museum transition from a passive catalogue to an inspiring catalyst for change. Developing a powerful, monolithic brand architecture, creating a single source of truth that unified various departments—from scientific research to retail—under one cohesive, digital-first visual language.
For an organization as complex as NHM, the system had to be both rigid enough for consistency and flexible enough for character. By developing comprehensive guidelines that empowered internal teams to manage major sub-brands—such as Wildlife Photographer of the Year and the Urban Nature Project—we ensured they felt like part of the same family. We also simplified the friction points of daily operations by creating clear accreditation rules for global partners and bespoke packaging standards for the retail team.
This project was about building a logic that works harder across every touchpoint. Whether it’s a social media asset, a landmark exhibition, or a physical product in the museum shop, the brand now speaks with one voice. By providing these functional, future-proof tools, we ensured the NHM team could focus on their mission, confident that every piece of content remains accessible, on-brand, and impactful.
The second most visited UK attraction, housing over 80 million items across a wide range of natural history disciplines. Producing hugely popular touring exhibitions and recognised globally as the pre-eminent centre of research into natural history and its related fields.
Elements from the brand identity system
A selection of applications, including; retail, membership and uniforms
Applications as part of the brand launch campaign
Brand guidelines created for NHM
Brand architecture created for NHM
“With a bolder and more contemporary voice the new brand positioning can better engage both existing and new audiences and help us highlight how the Museum is finding solutions to the urgent issues that face our planet.”
Richard Orr, Head of Marketing
“With dynamism and motion at its heart, our new brand reflects the catalytic power of our collections, world-leading scientific expertise and enormous audience reach.”
Lucy Clark, Head of Public Space Programme
Deliverables
Brand Architecture
Visual Identity
Brand Narrative
Motion Guidelines
Motion Toolkit
Guidelines and Toolkits
Design System
Guardianship
Campaign
Art Direction
Young V&A
Tasked with defining a unique position for the Young V&A, we developed a flexible design system that sits seamlessly within the established V&A parent brand. This project was framed as “digital-first,” specifically designed for high-impact social engagement and modern accessibility standards, while reaching a more diverse audience through a “Seriously Spirited” tone of voice.
A core component was managing complex stakeholder coordination across multiple departments to ensure the system was truly inclusive. We delivered a toolkit that empowers internal teams to create characterful content independently, bridging the gap between a world-class institution and community participation.
The V&A is the world’s leading museum of art and design, with collections unrivalled in their scope and diversity. Based in South Kensington for over 150 years, the V&A has expanded to other venues in the UK, including Young V&A and V&A East, V&A Dundee and V&A international initiatives as part of partnerships with other museums.
Elements from the brand identity system
Applications demonstrating a brand campaign
Section of the Young V&A guidelines
“A momentous milestone in the evolution of its identity and underscore its core purpose – to champion, nurture, and inspire the innovators of tomorrow and build creative confidence in the young.”
Dr Helen Charman, V&A Director of Learning, National Programmes and Young V&A
Deliverables
Brand Architecture
Visual Identity
Brand Narrative
Motion Toolkit
Guidelines and Toolkits
Design System
Guardianship
Campaign
Art Direction
‘Stanley Kubrick’ exhibition at the Design Museum
For this landmark exhibition, we designed an efficient, cost-effective system for interpretation graphics and 3D structures within an expansive gallery space. Managing a vast quantity of unique artefacts required a meticulous design logic that prioritised an immersive, yet fully accessible, visitor experience.
The project demonstrated our ability to deliver high-craft, sophisticated graphics that guide visitors through complex narratives. By balancing spatial creativity with operational efficiency, we helped create the Design Museum’s most successful exhibition to date, proving our capability in handling high-volume exhibition deliverables with critical and commercial acclaim.
Formerly the Design Museum’s most-visited show, with more than 169,000 visitors.
★★★★★ The Guardian
★★★★★ The Times
★★★★★ Evening Standard
★★★★★ Time Out
★★★★★ BBC
Exhibition entrances highlights Kubrick's use of one-point perspectives.
The linear spatial design is deliberately disorientating, a subtle reference to the maze in The Shining, allowing visitors to fully immerse themselves with the content but also maximise the necessary space required for objects.
The exhibition takes a detailed look into the universes of each of Kubrick's films, using colour, imagery, models, quotes, costumes and idiosyncrasies different to one another.
This exhibition trailer, which was showcased in cinemas, utilised the same rhythmic, one-point perspective montages found within the gallery. By aligning our mass-market advertising with the physical exhibition design, we created a seamless narrative journey and consistency across touchpoints to ensure the exhibition's identity was instantly recognisable.
Setting the tone from the first step. This immersive video corridor was a deliberate 'portal' into the exhibition, designed to be both a sensory introduction for visitors and a highly documented social media landmark.
“Would the Design Museum, a lively institution that inexplicably does not benefit from statutory public funding, be able to put on a show worthy of Kubrick’s remarkable body of work? The answer is… an emphatic, yes.”
Will Gompertz, BBC Arts Editor
“Stanley Kubrick is the Design Museum’s most successful exhibition in terms of ticket sales, visitor response, and critical reaction. As a curator, it was hugely satisfying to work with the team on the design of every aspect of the show. There was a real meeting of minds on how best to tell the story of a great filmmaker, in a way that impressed those who knew everything about Kubrick, and delighted those who didn’t.”
Deyan Sudjic, Director of the Design Museum
Deliverables
Spatial Design
Exhibition Graphics
Film and Motion
Campaign Creative
Design System
Great Ormond Street Hospital Charity
We evolved the GOSH Charity brand into a digitally native identity system that respects its iconic heritage while ensuring modern accessibility. By introducing a refined “Courageous Champion” framework, we created a distinctive visual language that remains consistent across every touchpoint, from high-stakes digital campaigns to sensitive emotional storytelling.
The result was an inclusive system that was extraordinarily well-received by internal teams and external audiences alike. Our work extended to delivering a large-scale integrated campaign across the Southwest and London, demonstrating our ability to manage vast deliverable lists—including the UK’s largest digital screens—with precision and conviction.
Since 1852, Great Ormond Street Hospital (GOSH) has specialised in treating children with rare or complex illnesses. While the NHS covers day-to-day running costs of the hospital, GOSH Charity’s fundraising supports groundbreaking research into children’s health, cutting-edge medical equipment, child-centred medical facilities and support services for children and families going through the toughest journey of their lives.
Awards
‘Best Brand Development’ Third Sector Awards
‘Best Use of Copy or Tone of Voice’ Transform Awards Europe
‘Brand Refresh’ Drum Awards
‘Not-for-Profit’ Brand Impact Awards
Great Ormond Street Hospital Charity's brand identity
Great Ormond Street Hospital Charity's first brand campaign
Spectrum of tonality for the brand identity
Guidelines for Great Ormond Street Hospital Charity
“We’re hugely excited by what our refreshed brand will enable us to do, better communicating our purpose and inspiring more people to join us in our mission. This will allow us to make a greater impact on the hundreds of children treated at GOSH daily, as well as those with rare or complex illnesses worldwide. Because we believe no childhood should be lost to serious illness.”
Emma Guise, Director of Marketing and Communications
Deliverables
Audit Analysis
Qualitative and Semiotic Testing
Visual Identity
Verbal Identity
Motion Identity
Brand Architecture
Design System
Art Direction
Photoshoot
Campaign and Fundraising Creative
Guidelines and toolkits
Illustration
Guardianship
‘Ferrari: Under the Skin’ exhibition at the Design Museum
This project involved developing a unique visual language derived from archival cues to create a narrative-led exhibition and marketing campaign. We worked closely with curators to translate complex archives into a sophisticated, premium experience that captured the craftsmanship and glamour of the brand without falling into industry clichés.
Our role spanned art-directing the entire campaign, publication, and cinematic installations. This case study reflects our ability to create bespoke identities—similar to the RWA’s Annual Open requirements—ensuring every touchpoint, from POS to large-scale digital displays, retains a curated feel while remaining technically robust.
Attracting 108,000 visitors—then the most-visited show in the Design Museum’s history.
‘Above the skin’ was the theme used for all marketing material promoting the exhibition, this involved the iconic red bodywork and photographing one of the most prominent cars by the manufacturer, the Ferrari F40. Working with photographer Paul Zak to capture the iconic car—this was used across digital and printed marketing material to promote the exhibition.
The exhibition design tells Ferrari’s 70-year history through a series of thematic installations split into six sections.
Details from the exhibition graphics.
Marketing films created for the exhibition promotion.
Marketing material created for the exhibition promotion.
Exhibition book designed to coincide with the exhibition, a partnerships between The Design Museum Phaidon publishers.
“Intelligently curated and stunningly designed”
Forbes
“It’s not the first exhibition commemorating Ferrari’s 70-year history – but it may be the finest.”